MAKE A MEME
View Large Image
| View Original: | Book_of_Hours,_St._Luke_writing_on_scroll,_Walters_Manuscript_W.173,_fol._9v.jpg (1124x1800) | |||
| Download: | Original | Medium | Small | Thumb |
| Courtesy of: | www.flickr.com | More Like This | ||
| Keywords: devotional christian flemish codex grotesques illumination manuscript miniature ornament painting walters art museum flanders devotion 15th century 15thcentury book of hours bookofhours historiated initial historiatedinitial photo border picture frame This large Book of Hours was created ca. 1440-50 in Bruges by the Masters of the Gold Scrolls. The original female patron was especially devoted to Franciscan and French saints, as evinced by the content of the calendar, litany, and suffrages. Although six images have been lost, the remaining seventeen miniatures and eight historiated initials are fine representations of the later work of the Gold Scrolls artists working in Bruges through ca. 1450. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2015. Access a complete set of high-resolution archival images of this manuscript for free on The Digital Walters (www.thedigitalwalters.org/01_ACCESS_WALTERS_MANUSCRIPTS.html). For a digital “turning the pages” presentation of the manuscripts and downloadable PDFs, visit the Walters Art Museum’s Website (art.thewalters.org/browse/category/manuscript-and-rare-bo...). This large Book of Hours was created ca. 1440-50 in Bruges by the Masters of the Gold Scrolls. The original female patron was especially devoted to Franciscan and French saints, as evinced by the content of the calendar, litany, and suffrages. Although six images have been lost, the remaining seventeen miniatures and eight historiated initials are fine representations of the later work of the Gold Scrolls artists working in Bruges through ca. 1450. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2015. Access a complete set of high-resolution archival images of this manuscript for free on The Digital Walters (www.thedigitalwalters.org/01_ACCESS_WALTERS_MANUSCRIPTS.html). For a digital “turning the pages” presentation of the manuscripts and downloadable PDFs, visit the Walters Art Museum’s Website (art.thewalters.org/browse/category/manuscript-and-rare-bo...). | ||||
