MAKE A MEME View Large Image The Vine (Carl Larsson) - Nationalmuseum - 24341.tif Artwork Creator Carl Larsson The Vine The Vine can be interpreted as a light-hearted allegory of love “ the woman harvests the grapes for the wine that intoxicates the man With his great ...
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Keywords: The Vine (Carl Larsson) - Nationalmuseum - 24341.tif Artwork Creator Carl Larsson The Vine The Vine can be interpreted as a light-hearted allegory of love “ the woman harvests the grapes for the wine that intoxicates the man With his great technical virtuosity Carl Larsson was excellently equipped to succeed in the Neo-Rococo genre which relied to a great extent on the ability to paint with illusory brilliance The Vine was bought by Herman FriedlĂ€nder when it was shown at the Opponent Exhibition Vid Seinens strand On the Seine River Bank in Stockholm in 1885 FriedlĂ€nder later lent it to the World ™s Fair in Paris in 1889 Vinet kan tolkas som en lĂ€ttsam kĂ€rleksallegori “ kvinnan skördar druvorna som blir till vinet mannen berusar sig pĂ„ Med sin stora tekniska skicklighet hade Carl Larsson utmĂ€rkta förutsĂ€ttningar att lyckas i nyrokokogenren som i mycket byggde pĂ„ förmĂ„gan att mĂ„la med illusorisk briljans Vinet köptes av Herman FriedlĂ€nder nĂ€r den visades pĂ„ OpponentutstĂ€llningen Vid Seinens strand i Stockholm 1885 FriedlĂ€nder lĂ„nade senare ut den till VĂ€rldsutstĂ€llningen i Paris 1889 header The Vine can be interpreted as a light-hearted allegory of love “ the woman harvests the grapes for the wine that intoxicates the man With his great technical virtuosity Carl Larsson was excellently equipped to succeed in the Neo-Rococo genre which relied to a great extent on the ability to paint with illusory brilliance The Vine was bought by Herman FriedlĂ€nder when it was shown at the Opponent Exhibition Vid Seinens strand On the Seine River Bank in Stockholm in 1885 FriedlĂ€nder later lent it to the World ™s Fair in Paris in 1889 Vinet kan tolkas som en lĂ€ttsam kĂ€rleksallegori “ kvinnan skördar druvorna som blir till vinet mannen berusar sig pĂ„ Med sin stora tekniska skicklighet hade Carl Larsson utmĂ€rkta förutsĂ€ttningar att lyckas i nyrokokogenren som i mycket byggde pĂ„ förmĂ„gan att mĂ„la med illusorisk briljans Vinet köptes av Herman FriedlĂ€nder nĂ€r den visades pĂ„ OpponentutstĂ€llningen Vid Seinens strand i Stockholm 1885 FriedlĂ€nder lĂ„nade senare ut den till VĂ€rldsutstĂ€llningen i Paris 1889 1884 Watercolour Diptych in one frame with NMB 400 Akvarell Diptyk i samma ram som NMB 400 Size cm 92 60 Framed Size cm 218 103 13 Institution Nationalmuseum Stockholm Signerad CARL LARSSON 1884 accession number 24341 NMB 399 place of creation Nationalmuseum Nationalmuseum Stockholm cooperation project Licensed-PD-Art PD-old-auto PD-Nationalmuseum_Stockholm 1919 Media contributed by Nationalmuseum Stockholm 2016-10 Paintings in the Nationalmuseum Stockholm Paintings by Carl Larsson
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