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This is an original unsigned 17th century painting.  The artist is unknown but it is in the style of Sir Peter Lely (Dutch/British, 1618-1680).  A portrait of Anna Maria Talbot (1642-1702), Countess of Shrewsbury from 1659-1668 by virtue of her marriage to Francis Talbot the 11th Earl of Shrewsbury, England. Francis Talbot died from wounds received in a duel with Anna's lover, the second Duke of Buckingham.  In a beat-up gilt wood frame.
Abstract happiness pregnant woman with husband in relaxation room at home on watercolor illustration painting background.
Assisi - The fresco of Nativity of Virgin Mary in the church Chiesa Nuova (San Francesco Convertito) by Giacomo Giorgetti from 17. cent.
Painting of three apples. Acrylic on canvas. Background is rough with drips.
Oil painting bouquet of roses in frame. Painting still life of flowers in a vase.
William Shakespeare on engraving from \
photographing the metropolitan cathedral-basilica of the assumption of our lady of valència, valència, spain - june 2024
Vintage colourised photograph of an Annamite family at meal, Annam (Vietnam), Victorian 19th Century
Frescoes in the Ruins of the old city of Pompeii, near Naples, Italy
Nineteenth Century photograph of man showing suit an tie.
Painting depicting Saint Anthony of Padua in the Cathedral of San Vigilio in Trento, Trentino, Italy
Io with bovine horns is kept under surveillance by Argos to prevent Zeus from seducing her, as requested by Hera.\nPompeii - House of Meleagro.\nIo was, in Greek mythology, one of the mortal lovers of Zeus. An Argive princess, she was an ancestor of many kings and heroes, such as Perseus.\nIo was tied to an olive tree in Heraion, the holy temple of Hera outside Argos, and the fierce hundred-eyed dog, Argus Panoptes, was guarding her and keeping Zeus away. However, Zeus found the way to set Io free and disregard his wife without doing it in person.
Imaginery illustration depicting Marie Antoinette, Queen of France and Navarre from 1774 to 1792 standing in the Palace of Versailles, 3d digitally rendered illustration
inside of church
Still life painting with teapot, apples, lemons on a tablecloth background.
a vintage Queen Vitoria photo postcard of 1900s,  ready for any usage of  historic events background usage.
african american man resting his arms on a classic piano while seems to be lost in thoughts.
Monopoli - The painting of Nativity in the church Chiesa di Sacro Cuore by Onofrio Bramante from 20. cent..
isfahan, iran - may 12, 2017 - the art of writing the history and religious beliefs of christianity on the ceiling and high walls of the interior of vank church (vank cathedral) in Isfahan
Vintage photograph of Four generations. Grand Prince Michael of Russia, Grnad Princess Anastasia of Mecklenburg-Schwerin, Princess Christian of Denmark, Prince Friedrich of Denmark, 19th Century
Saint Anna, Poland, July 23, 2024: Church of Saint Anne and Dominican Sisters' monastery in Saint Anna, Poland. Interior, a painting on the wall depicting Mary with her mother and son (Anna and Jesus).
Bjernede, Denmark - July 9, 2024: Epitaph from 1691. Bjernede Church in mid Zealand, Denmark, is a small village church. It is the only round church in Zealand. It was opened in 1170 AD.
Portrait of Victoria I, Queen of England (1819 - 1901). Vintage photo etching circa 19th century.
The last purebred aborigines of Tasmania (William Lanne, 2nd from the left, 1835-1869). The Aboriginal Tasmanians (Palawa) was the indigenous people of the Australian state of Tasmania. Wood engraving, published in 1865.
Spello - The renaissance fresco of Madonna with St. Mark the Evangelist in the church Collegiata di San Lorenzo  by Dono Doni (1530).
Painting of a cat
Rouen Cathedral in the city of Rouen in the Normandy region of France.
illustration gouache on paper Christmas. The shepherds came to the barn.
Backlit photo of a family, almost all dressed in black. The photo was taken in a public building in Copenhagen, Denmark, on June 10, 2024.
Free Images: "bestof:Charles Emmanuel Biset (Attr.) - Portrait of a family in an interior.jpg Attributed to oil canvas cm 76 113 Institution Musée des Beaux-Arts de Nantes"
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