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Cremona, Italy - May 24, 2016: Cremona - The fresco of St. Joachim and St. Anne, Parents of the Virgin Mary  in The Cathedral by Boccaccio Boccaccino (1466 - 1525).
Dionysos discovers Ariadne on Naxos from the house of the colored columns in Pompeii.\nAfter Ariadne helped Theseus escape from the labyrinth, he abandoned her on the island of Naxos. His ship sails off in the upper right. Dionysus and his retinue discover her sleeping; the god falls in love with her and makes her his consort.
El Greco, Greek (active in Italy and Spain), 1541 - 1614, Christ Driving the Money Changers from the Temple, c. 1570-1575, Oil on Canvas
Religious art and architectural details in Sacro Monte di Varallo, Italy
Raising of the Son of Theophilus, by Masaccio, famous Early Renaissance Fresco in the Brancacci Chapel in Florence, Italy
A beautiful sculpture of a Saint and dove above a doorway to the Chiesa di San Vidal.
Lanciano, Italy - July 21, 2023: Interior of Madonna del Ponte, cathedral of Lanciano, Chieti province, Abruzzo, Italy
14th Century oil painting of Jesus Christ Crucifixion depiction at interior wall of historic church Collégiale Saint Julien. It is a beautiful church located in the southern suburbs of Tournon-sur-Rhone. The church is known for its archaic setting and the Italian architecture that adorn. Built in the 14th Century, this building's main attraction is its awe-inspiring bell tower. Tournon-sur-Rhone, France
Portrait of Dante Aligheri painted a wall of Orvieto Cathedral, Italy.
Python, in Greek mythology, a huge serpent that was killed by the god Apollo at Delphi either because it would not let him found his oracle, being accustomed itself to giving oracles, or because it had persecuted Apollo's mother, Leto, during her pregnancy.\n\nThe fresco shows the Omphalos stone covered with a net and the Python wrapped around it. A priestess stands at left with a sacrificial bull.\n\nA detail from a sacrificial scene shows a bull being brought to the omphalos - Made up of a stone and a snake it represents the navel of the world - Apollo plays the zither.\n\nThe ancient Greeks also used omphalos to refer to a sacred, rounded stone in the Temple of Apollo at Delphi that was supposed to mark the center of the earth.
Assisi - The fresco Expulsion of Adam and Eve from Paradise in church Chiesa Nuova (San Francesco Convertito) by Giacomo Giorgetti from half of 17. cent.
This is a picture of the Lazarus's resurrection depicted in the 18th chapel of the famous Sacro Monte of Varallo in the northern of Italy.
The Cenacolo of Badia Passignano (Last Supper) is a fresco paint by Domenico Ghirlandaio, dated 1476, located in the abbey of San Michele Arcangelo Passignano in Tavarnelle Val di Pesa, Florence, Italy
Religious art in Sacro Monte di Varallo, Italy: Adam and Eve
anvers, belgium, august 03, 2014 : interiors and architectural details of notre dame d'anvers cathedral,   august 3, 2014,  in  anvers, belgium
Basilica dei Santi Giovanni e Paolo and Scuola Grande di San Marco, Venice, Italy - June 1th 2024:  The basilica to the left where completed in 1430 and the current Scuola in the front is from 1504
France. Haute-Savoie. Megève. St. John the Baptist Church. October, 1, 2019. This color image despict a mural of the Italian, Mucengo, under the vaults dating from 1828: The Baptism of Jesus Christ by St. John the Baptist. Around 1853, Benedictine monks arrived in the territory of Megève to raise a priory dedicated to St. John the Baptist. The church is enlarged in the 14th century.
Ancient Roman fresco ( 45-79 d.C. ) from the Augusteum-Basilica, Herculaneum.\nAlcestis and Admetus. The oracle predicts the death of Admetus.\nAlcestis, in Greek legend, the beautiful daughter of Pelias, king of Iolcos. She is the heroine of the eponymous play by the dramatist Euripides ( c. 484–406 bce ). According to legend, the god Apollo helped Admetus, son of the king of Pherae, to harness a lion and a boar to a chariot in order to win Alcestis's hand.
Treviso - The monochrome baroque painting of Jesus at the healing in the church Chiesa di San Gaetano by unknown artist.
Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo
Milan, Italy - October 15, 2023: Interior of the medieval Sant Ambrogio church in Milan, Lombardy, Italy. Painting
Engraving of \
The Basilica of Santa Maria Maggiore (Basilica Papale di Santa Maria Maggiore)—among the first churches in the world dedicated to the Virgin Mary—sits on the summit of Esquiline Hill. An extraterritorial property of the Vatican, it is one of the city’s four major basilicas and has one of the best preserved Byzantine interiors in Rome
The church Santa Maria dei Miracoli in Venice (Italy) captured on a beatiful sunny day in summer. The church (also known as the marble church) is located at in the sestiere of Cannaregio. The building was completed in 1489.
Bari, Apulia, Italy - 15 january 2023: Interior of the basilica - The Stories of Saint Nicholas by Ambrogio Lorenzetti - The basilica of San Nicola, in the heart of the old city of Bari, is an important place of worship of the Catholic Church, one of the main places of ecumenism with the Orthodox Churches. It is one of the most significant examples of Apulian Romanesque architecture.
Iphigeneia carried to the sacrifice by Odysseus and Menelaos\nThe House of the Tragic Poet ( also called The Homeric House or The Iliadic House ) is a Roman house in Pompeii, Italy dating to the 2nd century BC. The house is famous for its elaborate mosaic floors and frescoes depicting scenes from Greek mythology.\nFrom left to right : Agamemnon - Odysseus - Menelaos ( holding Iphigeneia ) - Calchas
Granada, Spain - May 29, 2015: The fresco of scene as St Peter Healing the Cripple in the church Monasterio de San Jeronimo by Juan de Medina from 18.cent.
Cemetery Verano, Rome, Italy: detail of the statue of Silence by Giuseppe Blasetti (1877)
France. Haute-Savoie. St. Nicholas of Veroce / St. Gervais-les-Bains. April, 30, 2019. This colorful image depicts the life and apotheosis of St. Nicholas who pronounces a judgment of Solomon, in a neoclassical fresco of the nineteenth century, made in 1856 by artists from the Valsesia (Italy), Giuseppe Antonio and Lorenzo Avondo, under the vault of the church Saint Nicolas de Véroce built in 1725.
Piazza del Campo, Siena, Tuscany, Italy
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