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Religious art in Sacro Monte di Varallo, Italy: Chapel's interiors
Segovia, Spain - April 14, 2016: Segovia - The carved polychrome relief of the scene Saint Peter for the Christ with the cross - “Quo Vadis“ in Cathedral of Our Lady of Assumption by Pedro de Bolduque (1585).
Painting in the church of San Maurizio al Monastero Maggiore, Milan church of early Christian origin, Italy, Europe.
Basilica dei Santi Giovanni e Paolo, Venice, Italy - June 1th 2024: Glass reliquary with a wax figure of a male saint in front of an altar in the basilica which has a long history, the building where completed in 1430 and has since in periods been the burial place for the dodges of Venezia
St Peter Healing the Sick with His Shadow, by Masaccio, famous Early Renaissance Fresco in the Brancacci Chapel in Florence, Italy
The detail of the figure of Saint Francis in one of the magnificent frescoes painted by Giotto inside the Basilica Superiore di San Francesco (Upper Basilica of Saint Francis), in the medieval heart of Assisi, in Umbria. Giotto painted a series of great frescoes along the walls of the single nave of the Basilica between 1292 and 1305, depicting the Stories of St. Francis, from his vocation to his death. Built in the Italian Gothic style starting from 1228 and completed in 1253, the Basilica, which preserves the mortal remains of the Saint of the Poor from 1230, is composed of the Basilica Inferiore (Lower Basilica) and the Basilica Superiore (Upper Basilica), perfectly integrated. Over the centuries Assisi and the spirituality of its sacred places have become a symbol of peace, a point of reference for tolerance and solidarity between peoples and between the different confessions of the world. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the high quality of the olive oil produced in these lands. Since 2000 the Basilica and other Franciscan sites of Assisi have been declared a World Heritage Site by UNESCO. Image in high definition format.
Anthony van Dyck, Flemish, 1599-1641, The Betrayal of Christ, c. 1618-1620, Oil on canvas
Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo
The Sack of Baltimore took place in 1631, when the village of Baltimore, West Cork, Ireland, was attacked by Ottoman Empire slavers from the Barbary Coast of North Africa – Dutchmen, Algerians and Ottoman Turks. From an 1886 antique book \
Zurich - The fresco of Baptism of Jesus in the church Pfarrkirche Liebfrauen by Fritz Kunz from end of 19. cent.
Chateauneuf sur cher, france, april 09, 2022 : station of the cross of Jesus Christ in Our Lady of the Children basilica, manufactured by International Artistic Union of Vaucouleurs. year 1890
Santa Maria do Porto - Sé Cathedral of Porto, Porto, Portugal.
This is a picture of the Lazarus's resurrection depicted in the 18th chapel of the famous Sacro Monte of Varallo in the northern of Italy.
Adam and Eve get their tools from an angel, ancient fresco in Fanefjord church, Denmark, October 10, 2022
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Polyphemus and Galatea\nThe Nereid Galatea meets Polyphemus. In the background a scene of the blinding of the cyclops - 45-79 AD\nPolyphemus loved the nymph Galatea, but she preferred the shepherd Acis. When the cyclops saw the lovers together, he hurled a rock at them in a fit of rage, crushing Acis and forcing Galatea to jump into the sea. Rodin represents him trying to free the rock with his bent leg.
St. Stephen, martyrdom. Church of Saint-Gervais-et-Protais. Saint-Gervais-les-Bains. Haute-Savoie. France.
Interior of All Saints Church, Hulcott, showing carved altar, religious icons and partial stain-glass window.
Naples - The relief of Deposition in the church Basilica della Santissima Annunziata Maggiore by unknown artist.
Marble group 'Madonna and Child with Saints', work by Andrea Guardi in 1460 in the Cathedral of Carrara
David at war in the old book The Bible in Pictures, by G. Doreh, 1897
Close-up of byzantine mosaic of the dome of Arians Baptistery. Ravenna. Italy.
Wooden deposition from Tivoli Cathedral. 13th-century. Roman Catholic cathedral, dedicated to Saint Lawrence, in Tivoli, Lazio, Italy
Io with bovine horns is kept under surveillance by Argos to prevent Zeus from seducing her, as requested by Hera.\nPompeii - House of Meleagro.\nIo was, in Greek mythology, one of the mortal lovers of Zeus. An Argive princess, she was an ancestor of many kings and heroes, such as Perseus.\nIo was tied to an olive tree in Heraion, the holy temple of Hera outside Argos, and the fierce hundred-eyed dog, Argus Panoptes, was guarding her and keeping Zeus away. However, Zeus found the way to set Io free and disregard his wife without doing it in person.
Renaissance Fresco depicting the Baptism of Jesus Christ by Saint John the Baptist in the Collegiata of San Gimignano, Italy.
Colorful frescoes adorning the walls of a serene monastery, depicting ancient stories and religious symbolism
Malcesine - The painting of Jesus is nailed to the cross (part ot Via Crucis) in church Chiesa di Santo Stefano by unknown artist of 17. cent.
Saint Nicholas Church in the centre of Brussels
The Coronation of the Virgin Mary. Church of Our Lady of the Assumption. Cord.
Interior of the Crypt of Sant'Anastasio, a medieval religious complex located not far from the Asti cathedral
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