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Vatican city, Italy - October 3, 2023: A fragment of the painting inside the Sistine Chapel at Vatican museum
Vintage photograph of Sistine Chapel, Vatican Rome,19th Century
Florence, Italy - November 7, 2022: Tomb of Giuliano di Lorenzo de' Medici with Night and Day sculptures by Michelangelo, Medici tomb in the new sacristy of the Medici chapel in Florence, Italy
Italy - Tuscany - Firenze - cathedral Santa Maria del Fiore - inside
Florence, Interior view of Cathedral dome painting in Florence, Italy. The Brunelleschi's dome was painted 1579 by Giorgio Vasari and Federico Zuccari.
Italy, Rome: Michelangelo's Moses statue in the church of San Pietro in Vincoli. (Royalty free image)
The Pieta in the Saint Peter's Basilica under the lights in Vatican City
The magnificent frescoed interior of the Basilica di San Francesco (Basilica of Saint Francis), in the medieval heart of Assisi, in Umbria. In the image, the semicircular apse inside the Lower Basilica, with frescos by Giotto, Cimabue and Pietro Lorenzetti. Built in the Italian Gothic style starting from 1228 and completed in 1253, the Basilica, which preserves the mortal remains of the Saint of the Poor from 1230, is composed of the Basilica Inferiore (Lower Basilica) and the Basilica Superiore (Upper Basilica), perfectly integrated. An ancient Umbrian city built starting from the 9th century BC, Assisi became in 89 BC an important center of social and economic domination of Ancient Rome. After the fall of Rome and countless looting due to the barbarian invasions, in the Middle Ages Assisi was conquered by the Byzantines and the Lombards, finally ending up under the dominion of the emperor Frederick I the Barbarossa. Assisi is famous for being the city of San Francesco and Santa Chiara (Saint Francis and Saint Clare), a sacred and spiritual place, a world symbol of peace between all the peoples of the earth and the different confessions. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the quality of the olive oil produced in these lands. Since 2000 the Basilica and other Franciscan sites of Assisi have been declared a World Heritage Site by UNESCO. Super wide angle image in high definition format.
Naples - The painting of Hagar and Ismael on the desert in the church Chiesa dell' Ascensione a Chiaia by Alfonso di Spigna (1697-1785)
The grandiose trompe l'oeil ceiling of Sant'Ignazio of Loyola Church in Rome, painted by Andrea Pozzo after 1685.
Ares and Aphrodite - Pompeii, House of the Wedding of Hercules (or House of Mars and Venus).\nMars lifts the blue mantle of Venus, to admire her nakedness characterized only by a gold chain arranged in an X on her chest. Characteristic is the representation of the two sexes which provides a dark complexion for the man and a light and delicate complexion for the woman. Two cupids play with the weapons of Mars. The shield and helmet send back reflections of light.
Full colors creation of Adam by Michelangelo , modern abstract art
Gesù Nuovo (Italian: New Jesus) is the name of a church and a square in Naples, Italy. They are located just outside the western boundary of the historic center of the city.
One of the famous sculptures of Michaelangelo
Galatina, Apulia (Italy): a composition made of details from the XVth century frescoes painted on the walls of the Basilica of St. Catherine of Alexandria.
Tomb of Giuliano de Medici and below lying on the sarcophagus  Michelangelo's sculptures 'Night and Day'
The Brunelleschi Cupola of Duomo (Santa Maria del Fiore), Florence, Tuscany, Italy
Florence, Interior view of Cathedral dome painting in Florence, Italy. The Brunelleschi's dome was painted 1579 by Giorgio Vasari and Federico Zuccari.
Details of the interiors of Collegiata di San Gaudenzio church, Varallo, Italy
Florence, Italy - November 7, 2022: Tomb of Giuliano di Lorenzo de' Medici with Night and Day sculptures by Michelangelo, Medici tomb in the new sacristy of the Medici chapel in Florence, Italy
Michelangelo's Moses statue in the church of San Pietro in Vincoli. Rome, Italy. The sculpture was done in 1515.\u2028http://www.massimomerlini.it/is/rome.jpg\u2028http://www.massimomerlini.it/is/romebynight.jpg\u2028http://www.massimomerlini.it/is/vatican.jpg
Milan, Italy - April 18, 2023: Interior of the historic Certosa di Garegnano in Milan, Lombardy, Italy
Frescoed ceiling of the Church of San Pietro in the Savona old town
Milan - The baroque fresco of St. John the Evangelist from cupola of church Chiesa di San Vittore al Corpo by Guglielmo Caccia - Moncalvo (1568 – 1625)
Apollo, with his bow and quiver sits behind a wall or trellis with a muse at the moment when Admetos and Alkestis receiving the oracle\nFresco from House of the Tragic Poet ( Pompeii )\n\nAlcestis and Admetus of Pherae\nAlcestis, in order to comply with the prophecy of Apollo, agrees to sacrifice herself in place of her bridegroom, king Admetus.\nPompeii, House of the Tragic Poet, VI 8, 5, tablinum.\n45-79 AD.\n\nAlcestis was the fairest among the daughters of Pelias, king of Iolcus, and either Anaxibia or Phylomache. She was sister to Acastus, Pisidice, Pelopia and Hippothoe. Alcestis was the wife of Admetus by whom she bore a son, Eumelus, a participant in the siege of Troy, and a daughter, Perimele.\nIn Greek mythology, Admetus was a king of Pherae in Thessaly.
Probably the most famous fresco in the world: in Sistine Chapel God gives life to Adam, by Michelangelo.
Religious art in Sacro Monte di Varallo, Italy: Adam and Eve
Tomb of Lorenzo II de Medici and below lying on the sarcophagus two sculptures 'Dawn and Dusk' in Medici Chapel, Florence, Italy
Rome, Italy - May 12, 2018: The Basilica of the Sacred Heart is located in the Castro Pretorio district, near Termini Station and was built between 1879 and 1887 at the behest of Pope Pius IX who, in 1870, laid the foundation stone of the new building. However, due to the annexation of Rome to the Kingdom of Italy, the work was interrupted; it was only thanks to San Giovanni Bosco that construction could be resumed in 1880 and completed in 1887 by the architect Francesco Vespignani. In this pict the ceiling of one side altar.
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