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Granada - The Madonna (The Virgin of the Rosary) painting in church Monasterio de la Cartuja by unknown artist of 18. cent.
Vintage colourised photograph of an Annamite family at meal, Annam (Vietnam), Victorian 19th Century
Painting in the church of San Maurizio al Monastero Maggiore, Milan church of early Christian origin, Italy, Europe.
A print from an old 18th century Bible of the flight to Egypt from Bethlehem in the Christmas story, Mary riding on a donkey with the Christ child. A key story in the Christian faith.
Tempera, also known as egg tempera, is a permanent, fast-drying painting medium that consists of colored pigments mixed with a water-soluble binder, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium.
Close-up of an old painting/icon of Mary and Jesus at the Ura Kidane Mere monastery church in Lake Tana, Ethiopia
Religious art in Sacro Monte di Varallo, Italy: Chapel's interiors
Europe. France. Auvergne-Rhône-Alpes. Ain. Bourg-en-Bresse. 08/05/2019. This colorful image depicts Adoration of the Magi. Georg Pencz. 1500-1550. Oil on wood. Inv. 953.17. Municipal Museum of the Royal Monastery of Brou. Bourg-en-Bresse.
CANADA - CIRCA 1978 A stamp printed in Canada shows Painting Virgin and Child by Hans Memling , with the inscriptions Christmas, from the series Christmas, circa 1978
Monument to Dante in Verona
Treviso - The renaissance fresco of Three Magi in the Cathedral by Giovanni Antonio de Sacchis - Pordenone (1520).
Io with bovine horns is kept under surveillance by Argos to prevent Zeus from seducing her, as requested by Hera.\nPompeii - House of Meleagro.\nIo was, in Greek mythology, one of the mortal lovers of Zeus. An Argive princess, she was an ancestor of many kings and heroes, such as Perseus.\nIo was tied to an olive tree in Heraion, the holy temple of Hera outside Argos, and the fierce hundred-eyed dog, Argus Panoptes, was guarding her and keeping Zeus away. However, Zeus found the way to set Io free and disregard his wife without doing it in person.
St Peter Healing the Sick with His Shadow, by Masaccio, famous Early Renaissance Fresco in the Brancacci Chapel in Florence, Italy
Inside the church of Santa Maria della Scala, Siena, Tuscany, Italy
Vienna, Austria - October 2021: Mosaic \
Last supper of Christ fresco
France. Haute-Savoie. St. Nicholas of Veroce / St. Gervais-les-Bains. April, 30, 2019. This colorful image describes The Last Supper, the last meal of Jesus Christ with the Apostles, in a neoclassical fresco of the nineteenth century, made in 1856 by artists from the Valsesia (Italy), Giuseppe Antonio and Lorenzo Avondo, under the vault of the church St. Nicolas de Véroce built in 1725.
Religious art and architectural details in Sacro Monte di Varallo, Italy
Vicenza - The painting of in the church Chiesa di San Filippo Neri by unknown artist.
Pompeii fresco painting cupid making perfume\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities
Painting depicting Saint Anthony of Padua in the Cathedral of San Vigilio in Trento, Trentino, Italy
The photo was shot in the church of St. Peter and Paulus, which has been inaugurated in 1485 AD. The church is situated in the Drautal valley, near Lienz.
Fresco representing the Last Supper inside the church of Santa Maria delle Grazie in Anghiari, Tuscany, Italy
The detail of the figure of Saint Francis in one of the magnificent frescoes painted by Giotto inside the Basilica Superiore di San Francesco (Upper Basilica of Saint Francis), in the medieval heart of Assisi, in Umbria. Giotto painted a series of great frescoes along the walls of the single nave of the Basilica between 1292 and 1305, depicting the Stories of St. Francis, from his vocation to his death. Built in the Italian Gothic style starting from 1228 and completed in 1253, the Basilica, which preserves the mortal remains of the Saint of the Poor from 1230, is composed of the Basilica Inferiore (Lower Basilica) and the Basilica Superiore (Upper Basilica), perfectly integrated. Over the centuries Assisi and the spirituality of its sacred places have become a symbol of peace, a point of reference for tolerance and solidarity between peoples and between the different confessions of the world. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the high quality of the olive oil produced in these lands. Since 2000 the Basilica and other Franciscan sites of Assisi have been declared a World Heritage Site by UNESCO. Image in high definition format.
Paris, france, april 04, 2017 : mural paintings decor of saint merri church, anonymous artists, 18th century
Michelangelo - Medici Chapel and San Lorenzo - Basilica di San Lorenzo (Basilica of St. Lawrence) in Florence, Italy
Rome - The Presentation in the Temple fresco in Basilica di Sant Agostino (Augustine) by Pietro Gagliardi form 19. cent.
Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo
San Michele in Foro, Lucca, Tuscany, Italy
Apollo, with his bow and quiver sits behind a wall or trellis with a muse at the moment when Admetos and Alkestis receiving the oracle\nFresco from House of the Tragic Poet ( Pompeii )\n\nAlcestis and Admetus of Pherae\nAlcestis, in order to comply with the prophecy of Apollo, agrees to sacrifice herself in place of her bridegroom, king Admetus.\nPompeii, House of the Tragic Poet, VI 8, 5, tablinum.\n45-79 AD.\n\nAlcestis was the fairest among the daughters of Pelias, king of Iolcus, and either Anaxibia or Phylomache. She was sister to Acastus, Pisidice, Pelopia and Hippothoe. Alcestis was the wife of Admetus by whom she bore a son, Eumelus, a participant in the siege of Troy, and a daughter, Perimele.\nIn Greek mythology, Admetus was a king of Pherae in Thessaly.
Free Images: "bestof:Lorenzo Costa - Giovanni II Bentivoglio and His Family - WGA05427.jpg Artwork 1488 Oil on canvas Institution Bentivoglio Chapel San Giacomo Maggiore Bologna"
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