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The ruins and columns of the Apandana in the ancient city of Persepolis, Iran.
Flags of Israel and Iran painted on the concrete wall with soldier shadow.
A depiction of the Shah of Iran, Reza Shah Pahlavi, on a 50 rial banknote. The date is printed in Persian as 1350 (bottom left, in red), which means between 21 March 1971 and 20 March 1972. In the top left corner in the area with green background is written, in the Persian language, \
Ashgabat, Turkmenistan: evening view of the Central Bank of Turkmenistan tower and Turkmenbashy Palace, the old presidential palace of Saparmurat Niyazov, part of the Oguzhan Presidential Palace complex - Türkmenistanyn Merkezi Banky.
Noakhali, Bangladesh - 4 March 2024 - Noakhali Science and Technology University (NSTU) Administrative Building with Bangabandhu Sheikh Mujibur Rahman Mural. It is a public university.
Closeup of Saudi Arabia fifty riyals banknote portrait dome of the rock in Jerusalem and King Salman portrait.
Iranian and Israeli Flags on Grunge textured surface
Ayatollah Khomeini
Liberation monument on the Potala Palace square in Lhasa, Tibet Autonomous Region, China.
Mixed USA and Iran flag, three dimensional render, illustration
Tashkent, Uzbekistan: Administration of the President of the Republic of Uzbekistan - ('O‘zbekiston Respublikasi Prezidenti Administratsiyasi') - stone façade and central porch of the presidential headquarters on Independence Square - formerly used by Uzbekistan's Senate.
Flags of Iran painted on the concrete wall with protesting people
Volgograd, Russia - April 10, 2021: View of the Rotunda of the central embankment of the city of Volgograd named after the 62nd Army, bank of the Volga river.
Oman - Mascate - Al Alam palace garden
United States and Iran diplomats agreeing on a deal.
Muscat, Oman - 2. November 2023: Entrance to the Al Alam Sultan Palace at dusk, Muscat, Oman
The building of the White House, the Government House of the Russian in Moscow in August 2023
Asmara, Eritrea: Great Mosque of Asmara, Al Kulafah Al Rashidan (Salem Street / Via Piemonte) and its square used for ablutions (former Largo Puglie) used for ablutions, facing Nakfa Avenue / Corso del Re - built in 1938, architect Guido Ferrazza, blend of the architectural styles of Rationalist, Classical, and Islamic - novecento facades on the Mosque square - Asmera, a Modernist City of Africa - UNESCO World Heritage Site
Flags of United States of America, Israel and Iran painted on the concrete wall with soldier shadow.
Jakarta's landmark\n\n\n\n\n[url=http://www.istockphoto.com/search/lightbox/7097057/?refnum=fototrav#1a84d7f7][img]https://dl.dropbox.com/u/61342260/istock%20Lightboxes/Indonesia.jpg[/img][/url]\n\n[url=http://istockpho.to/WMhD0R][img]https://dl.dropbox.com/u/61342260/istock%20Lightboxes/Thailand.jpg[/img][/url]
A small mosque in the Gardens of Babur, Kabul, Afghanistan. A white marble mosque and Kabul city view with trees and mountains. Mosque, Gardens of Babur, Kabul, Afghanistan 2005.
The Apakh Hoja Mazar (the Fragrant Concubine Tomb) is in Aizrete Village, it is 5 km far away from Kashgar. It was built in 1640, The Apakh Hoja Mazar is an Islamic Hoja (sages’ descendents) mausoleum with the biggest scale and great influence in the territory of Xinjiang. The legend goes that fragrant concubine of the emperor Qianlong during the Qing Dynasty was buried here, thus the structure is also called Fragrant Concubine’s Tomb.
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Aerial view of The Pir Huseyn Khanqah and Mausoleum\n\nThe Pir Huseyn Khanqah and Mausoleum lies along the left bank of Pirsaat River (Pirsaatçay), 126 kilometers to the southwest of Baku. The inscription plaque over the portal, read by V. Kratchkovskaya in 1952, announces that the khanqah (dervish monastery) was built by Sharaf al-Dawla wal-din Hasan during the reign of the Shirvanshah Afridhun Abul-Muzaffar Fariburz (Fariburz III, 1225–1255).
IRAN - CIRCA 1966: a stamp printed in the Iran shows Mohammad Reza Shah Pahlavi, Shah of Persia, circa 1966
Oman - Mascate - Al Alam palace garden with flowers
Painted national flag of Iran on a concrete wall
One central desideratum discussed in the very first assembly of the Association of Austrian Visual Artists Vienna Secession was the erection of a dedicated exhibition building. The members commissioned the architect Joseph Maria Olbrich—an associate in Otto Wagner’s architecture studio, he was barely thirty years old at the time—to design the building, which would become a key work of Viennese Art Nouveau.
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