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This is an original unsigned 17th century painting. The artist is unknown but it is in the style of Sir Peter Lely (Dutch/British, 1618-1680). A portrait of Anna Maria Talbot (1642-1702), Countess of Shrewsbury from 1659-1668 by virtue of her marriage to Francis Talbot the 11th Earl of Shrewsbury, England. Francis Talbot died from wounds received in a duel with Anna's lover, the second Duke of Buckingham. In a beat-up gilt wood frame.
Varallo - The fresco of Last Supper in the church Chiesa di sant Antonio by C. Secchi
Vintage colourised photograph of an Annamite family at meal, Annam (Vietnam), Victorian 19th Century
El Greco, Greek (active in Italy and Spain), 1541 - 1614, Christ Driving the Money Changers from the Temple, c. 1570-1575, Oil on Canvas
Painting in the church of San Maurizio al Monastero Maggiore, Milan church of early Christian origin, Italy, Europe.
Madonna with child. Horizontal Shot.
A print from an old 18th century Bible of the flight to Egypt from Bethlehem in the Christmas story, Mary riding on a donkey with the Christ child. A key story in the Christian faith.
Europe. France. Auvergne-Rhône-Alpes. Ain. Bourg-en-Bresse. 08/05/2019. This colorful image depicts Adoration of the Magi. Georg Pencz. 1500-1550. Oil on wood. Inv. 953.17. Municipal Museum of the Royal Monastery of Brou. Bourg-en-Bresse.
The last purebred aborigines of Tasmania (William Lanne, 2nd from the left, 1835-1869). The Aboriginal Tasmanians (Palawa) was the indigenous people of the Australian state of Tasmania. Wood engraving, published in 1865.
Valencia - The painting of Adoration of Shepherds in the Cathedral by Filipo Paolo de San Leocadio from 16. cent.
Tempera, also known as egg tempera, is a permanent, fast-drying painting medium that consists of colored pigments mixed with a water-soluble binder, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium.
Religious art in Sacro Monte di Varallo, Italy: Chapel's interiors
biblical scene of the famous biblical passage representing Raising of Lazarus, miracle of Jesus Christ. This is one of the Sacro Monte di Varallo's chapels, unesco site in Italy (Varallo, Piedmont, Italy, May 23 2017)
The beautiful fresco painted by Giotto depicting Saint Francis talking to birds inside the Basilica Superiore di San Francesco (Upper Basilica of Saint Francis), in the medieval heart of Assisi, in Umbria. Giotto painted a series of great frescoes along the walls of the single nave of the Basilica between 1292 and 1305, depicting the Stories of St. Francis, from his vocation to his death. Built in the Italian Gothic style starting from 1228 and completed in 1253, the Basilica preserves the mortal remains of the Saint of the Poor since 1230. The construction of the Basilica consists of a Lower Basilica and an Upper Basilica, perfectly integrated. Over the centuries Assisi and the spirituality of its sacred places have become a symbol of peace, a point of reference for tolerance and solidarity between peoples and between the different confessions of the world. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the high quality of the olive oil produced in these lands. Since 2000 the Basilica and other Franciscan sites of Assisi have been declared a World Heritage Site by UNESCO. Image in high definition format.
altarpiece from 1625 by an unknown artist depicting the last supper with Jesus and his diciples sitting around a table, Orslev, Denmark, August 9, 2021
Galatina, Apulia (Italy): a composition made of details from the XVth century frescoes painted on the walls of the Basilica of St. Catherine of Alexandria.
Antique African Photograph: Group of Moorish Women, Algeria, Africa, 1893. Source: Original edition from my own archives. Copyright has expired on this artwork. Digitally restored.
Milan, Italy - October 15, 2023: Interior of the medieval Sant Ambrogio church in Milan, Lombardy, Italy. Painting
Vicenza - The traditional image of Holy Family in sacristy of the church Chiesa di San Giuliano originaly by unknown artist from end of 19. cent.
Illustration from 19th century
Kalety Miotek, Poland, January 2023: Ceiling painting in the parish church in Kalety Miotek, Poland. The Sermon on the Mount. Blessings.
Close-up of an old painting/icon of Mary and Jesus at the Ura Kidane Mere monastery church in Lake Tana, Ethiopia
Elijah raises the son of the widow of Zarephath in the old book The Bible in Pictures, by G. Doreh, 1897
Istanbul, Turkey-June 9, 2013: The Virgin Mary and Jesus Mosaic on the Wall in Hagia Sophia Mosque, close-up.
isfahan, iran - may 12, 2017 - the art of writing the history and religious beliefs of christianity on the ceiling and high walls of the interior of vank church (vank cathedral) in Isfahan
Inside the church of Santa Maria della Scala, Siena, Tuscany, Italy
Rome - The Presentation in the Temple fresco in Basilica di Sant Agostino (Augustine) by Pietro Gagliardi form 19. cent.
Madonna with child, a fresco in the Church of Santo Stefano, in the small town of Soleto, in Puglia region. Italy. The frescos in this church were painted between the end of the XIVth and the mid XVth century
France. Haute-Savoie. St. Nicholas of Veroce / St. Gervais-les-Bains. April, 30, 2019. This colorful image describes The Last Supper, the last meal of Jesus Christ with the Apostles, in a neoclassical fresco of the nineteenth century, made in 1856 by artists from the Valsesia (Italy), Giuseppe Antonio and Lorenzo Avondo, under the vault of the church St. Nicolas de Véroce built in 1725.
Apollo, with his bow and quiver sits behind a wall or trellis with a muse at the moment when Admetos and Alkestis receiving the oracle\nFresco from House of the Tragic Poet ( Pompeii )\n\nAlcestis and Admetus of Pherae\nAlcestis, in order to comply with the prophecy of Apollo, agrees to sacrifice herself in place of her bridegroom, king Admetus.\nPompeii, House of the Tragic Poet, VI 8, 5, tablinum.\n45-79 AD.\n\nAlcestis was the fairest among the daughters of Pelias, king of Iolcus, and either Anaxibia or Phylomache. She was sister to Acastus, Pisidice, Pelopia and Hippothoe. Alcestis was the wife of Admetus by whom she bore a son, Eumelus, a participant in the siege of Troy, and a daughter, Perimele.\nIn Greek mythology, Admetus was a king of Pherae in Thessaly.
Free Images: "bestof:Simone Cantarini - Holy Family.jpg Artwork Creator Simone Cantarini firsthalf other date century 17 Oil on canvas size cm 72 55 Institution Museo del Prado"
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