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Vasari Fresco done in the 1500s. Brunelleschi Cupola, Florence Duomo. Tuscany, Italy.
Painting in the church of San Maurizio al Monastero Maggiore, Milan church of early Christian origin, Italy, Europe.
The majestic and stunning frescoed vault inside the church of Sant'Ignazio di Loyola (St. Ignatius of Loyola), in the historic and Baroque heart of Rome. The fresco, depicting the Glory of St. Ignatius, founder of the Society of Jesus (Jesuits), is one of the absolute masterpieces of the Roman Baroque. Painted by the artist Andrea Pozzo in 1685, this fresco almost entirely covers the vault of the church with a perspective representation that, between arches, clouds and columns, increases its space and volumes, effectively creating a virtual reality. The work depicts Christ (in the center) who radiates the figure of St. Ignatius and at the corners the allegories of the four continents known until then. In 1980 the historic center of Rome was declared a World Heritage Site by Unesco. Super wide angle image in high definition format.
Rome - The fresco of big doctors of the Church on the cupola of church Chiesa san Giacomo in Augusta by Silverio Capparoni from 19. cent.
Pyramus and Thisbe are a pair of legendary, ill-fated lovers from Babylon whose story forms part of Ovid's Metamorphoses. House of Loreius Tiburtinus, Pompeii.\n\nPyramus and Thisbe's parents, driven by rivalry, forbade their union, but they communicated through a crack in the wall between their houses. They planned to meet under a mulberry tree, but a series of tragic misunderstandings led to their deaths: Thisbe fled from a lioness, leaving her cloak behind, which Pyramus found and mistook as evidence of her death. Believing Thisbe was killed by the lioness, Pyramus committed suicide, staining the mulberry fruits with his blood. Thisbe, upon finding Pyramus dead, also killed herself. The gods changed the color of the mulberry fruits to honor their forbidden love.
Ceiling fresco in one of the chapels in Sacro Monte d'Orta on Lake Orta, Piedmont Italy
Frescoed ceiling of the Church of San Pietro in the Savona old town
touring the historic capital city of rome, italy - sept 2021.
St Peter Healing the Sick with His Shadow, by Masaccio, famous Early Renaissance Fresco in the Brancacci Chapel in Florence, Italy
The grandiose trompe l'oeil ceiling of Sant'Ignazio of Loyola Church in Rome, painted by Andrea Pozzo after 1685.
Naples, Italy, Fresco and wall paintings in House of the Vettii or Casa dei Vettii or Domus Vettiorum in the archaeological site of Pompeii
Interior of the Cathedral of Serravalle in Vittorio Veneto
Granada, Spain - May 29, 2015: The fresco of scene as St Peter Healing the Cripple in the church Monasterio de San Jeronimo by Juan de Medina from 18.cent.
Pompeii God Bacchus dressed with grapes in front of Mt. Vesuvius - House of Centenary secondary atrium - 68-79 AD
Fagnano Olona, Italy - May 6, 2023: Fagnano Olona, Varese province, Lombardy, Italy: exterior of the historic Madonna della Selva church
Ancient religious murals in Siena, Italy
Fresco representing the animals getting on Noah's Ark. Fresco painted in 1556 by Aurelio Luini in the church of San Maurizio in Milan, Italy. The entry into the church is free.
A view of the stunning frescoes inside de apse of the Duomo of Spoleto, a medieval town in the Umbria region, central Italy. The frescoes, depicting the Stories of the Virgin, were painted by Filippo Lippi between 1467 and 1469. The Duomo, or Cattedrale di Santa Maria Assunta (Cathedral of Assumption of the Blessed Virgin Mary), was built starting from 1067 in Romanesque and Lombard style and consecrated in 1198. Spoleto, one of the most visited medieval cities in Italy, hosts the Festival of the Two Worlds, a world-famous event that brings together hundreds of artists, musicians, classical dancers and opera singers every year. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the high quality of the olive oil produced in these lands. Super wide angle image in high definition format.
Winged cupids fight, little gods of ancient Rome in Pompeii. Pompeii was destroyed by the volcanic eruption of Vesuvius in 79 BC
Interior of the Cathedral of Serravalle in Vittorio Veneto
Genova - ling fresco of Choir of angels with the music instruments in the church Chiesa di Santa Caterina by Andrea Semino (1525 - 1595).
Vasari Fresco done in the 1500s. Brunelleschi Cupola, Florence Duomo. Tuscany, Italy.
The ceiling of Roman Catholic cathedral in Bergamo, Italy, dedicated to Saint Alexander of Bergamo
Herculaneum fresco painting Telephus son of  Hercules being nursed by a doe, first century AD\nRoman fresco in the Augusteum ( so called Basilica ) at Herculaneum.\nIn Greek mythology, Telephus was the son of Heracles and Auge, who was the daughter of king Aleus of Tegea.
Florence: Hell and damnation depiction of Cathedral dome painting in Florence, Italy. The Brunelleschi's dome was painted by Giorgio Vasari and Federico Zuccari.
Religious art in Sacro Monte di Varallo, Italy: Chapel's interiors
Winged Amorino ancient fresco, a figure of divinity of ancient Rome in Pompeii. Pompeii was destroyed by the volcanic eruption of Vesuvius in 79 BC
The Brunelleschi Cupola of Duomo (Santa Maria del Fiore), Florence, Tuscany, Italy
Rome, Italy - March 11, 2016: Rome - The Jacob Wrestles with an Angel by Antonio Viviani (1560–1620). Fresco from the vault of stairs in church Chiesa di San Lorenzo in Palatio ad Sancta Sanctorum.
Rome, Italy - May 12, 2018: The Basilica of the Sacred Heart is located in the Castro Pretorio district, near Termini Station and was built between 1879 and 1887 at the behest of Pope Pius IX who, in 1870, laid the foundation stone of the new building. However, due to the annexation of Rome to the Kingdom of Italy, the work was interrupted; it was only thanks to San Giovanni Bosco that construction could be resumed in 1880 and completed in 1887 by the architect Francesco Vespignani. In this photo, above the side altar dedicated to the baptism of Jesus Christ, detail of the lunette depicting the Heavenly Father.
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