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Skyscrapers from Below, Lower Manhattan, NYC.

Flower close up macro, in black and white, nature details photography.

Lisbon, Portugal - August 29, 2017: A team of brazialian atheletes poses for a photo in the Praça do Comércio square in Lisbon downtown.

The beauty of flowers in the front garden

Breckenridge ski resort aerial in april panorama

wildflowers

A classic, simple, black and white picture of daisies at night.

Boulders and pasture on Dartmoor, this is on the walk from Two Bridges to Wistman's wood

Winter landscape, black and white photo, beautiful view, walk in the forest, outdoor activities.

Leaves on the tree. Black and white. Close shoot. Krakow in Poland. No people

Flower in the garden

Aerial view of Lucca medieval town, Tuscany - Italy

Lviv, Ukraine - September 26, 2020: Aerial view on Bernardine church in Lviv from drone

Road trip to Valley of Fire in Nevada.

View empty road in black and white, blurred background

Frost covered Cow Parsley in winter.

Agnone (Agnèune in local dialect) is an Italian town of 4921 inhabitants in the province of Isernia in Molise.

Extreme terrain in Denizli, Turkey

A picturesque grayscale view of plant leaves for background and wallpaper use

Poppy in macro

Close up of flowers

Early morning in Black Park, Buckinghamshire, and sunbeams stream through the trees.

Nature at its best. Black and white flowers and leafes, Macro details

Park in spring

Rome - April 14, 2021: Scenic view of the twin churches in Piazza del Popolo, iconic square and major landmark in Rome, Italy

$frosty leaves\n\n$

Mam Tor Landscape, December 2022 as part of my project Shadow Lands

The Trevi Fountain is a fountain in the Trevi district in Rome, Italy

Low angle view of building against clear sky

Southern state freshwater wetland forest on a sunny evening in summer (July). The image was captured in Big Creek, Forsyth, (near Cumming) in Georgia (USA) with a full frame mirrorless digital camera and a sharp telephoto lens. The image is part of a large series of Georgia wetland. Most of the images were shot at 200mm and maximum aperture f/2.8 creating a very shallow depth of field resulting in defocused spaces suitable for copy/text.

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